
Project description
Kuwait’s urban fabric mostly consists of detached single-family homes highlighting a clear example of city-sprawl. To adapt to the desert climate, the distances between the built volumes are minimal, resulting in shaded spaces between houses. These spaces that work well as temperature regulators result in facades with little privacy and limited views. This creates an added challenge to create projects with personality that are not based purely on an exercise in façade design.

Physical barriers can be seen in varying degrees impeding passage or vision to reach the large opening on the upper terrace that allows you to see through the house. From the inside, the barriers become the volumes that open onto the guests, the rooms that dominate the spaces on the upper levels, defining the spaces below them.

This house was a very peculiar request. Typically the client has a specific program and an actual site, and our job is to make the two complement one another. In the case of the Secret House, the client was occupying the given site in a house that neither met their aesthetic desires, nor their programmatic needs. This design thus becomes a personal expression of their present conditions, and at the same time creates a space capable of holding their hopes for the future.
It is a place with great potential, with wonderful views of the city, and a family who wants privacy. We plan to design a system that would unify these requirements: a house that looks towards the inside and only at the top level opens up to views towards the skyline of the city.





On the upper floor, rooms are positioned according to privacy and importance, alternating with areas for daily family use. From this level, a staircase runs through the courtyard and leads up to a more private space with a large covered terrace that opens out on the main façade. This allows you to enjoy both the city skyline and the sea view at the horizon in a private, shaded and lush landscaped area.













Architecture: AGi Architects
Photography: Nelson Garrido
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